Margaret Atwood?s Alias Grace :: margaret atwood s alias grace alias most recent novel canada prominent modern novelist writes afterword work fiction although based reality 538 centred case victorian celebrated murderess marks immigrant irish servant girl manner imaginatively reconfigures historical fact order create subversive text back both journals canadian literary ancestor nineteenth century self image Margaret Atwood Alias Grace Essays Margaret Atwood?s Alias Grace

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Margaret Atwood?s Alias Grace

Alias Grace is the most recent novel by Margaret Atwood, Canada?s most prominent modern novelist. The novel is, as Atwood writes in her afterword, ?a work of fiction, although it is based on reality?(538) centred on the case of Victorian Canada?s most celebrated murderess, Grace Marks, an immigrant Irish servant girl.

The manner in which Atwood imaginatively reconfigures historical fact in order to create a subversive text which ?writes back? to both the journals of a Canadian literary ancestor, and to Canada?s nineteenth century self -image, illustrates what critic Linda Hutcheon has called ?the use of irony as a powerful subversive rule in the rethinking and redressing of history by both the post-modern and post-colonial artist ?(131).

Atwood?s interest in the Mark?s case was first raised by her work on the journals of Susanna Moodie, a 19th-century emigrant to Canada. In a disparaging memoir entitled Roughing it in the Bush , published in London and addressed to an English audience, Moodie concentrated on the ?otherness? and ?foreigness? of Canada to refined European sensibilities, thus emphasising the privilege of ?home? over ?native? and ?metropolitan? over ?provincial?. (Litvack 120). Life in the Clearings, Moodie?s sequel, intended to show the ?more civilised? side of Canada west, contained an account of her visit to the notorious Grace Marks in a Toronto Asylum. Moodie portrayed Grace as a shrieking, capering madwoman, and con... [to view the full essay now, purchase below]

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