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A Postmodern Tendancy in Their Eyes Were Watching God


 
     ...Zora Neale Hurston lacks [any] excuse. The sensory sweep of her novel

carries no theme, no message, no thought. In the main, her novel is not

addressed to the Negro, but to a white audience whose chauvinistic tastes she

knows how to satisfy. She exploits the phase of Negro life which is "quaint," the

phase which evokes a piteous smile on the lips of the "superior" race.

-- from "Their Eyes Were Watching God (1937)," a review by Richard Wright

 

 

An unfortunate side effect of the postmodern tendency is often reactions like the above. Zora's work was not readily accepted in its time. Unlike fellow writers such as Faulkner and Joyce, Hurston's was not incubated by the academy until theory could catch up to inspiration. Like writers such as Nabokov, however, her postmodernity is subtle and her novel, Their Eyes Were Watching God, is littered with trap doors to plunge the reader into a deeper interpretation of the text. Cynthia Bond picks up on this in her essay, "Language, Speech and ... [to view the full essay now, purchase below]

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